Guy Sargent - Venice

See more Guy Sargent posts here.

gallowhill:

Antony Gormley, sculptures from “Domains”, “Bodies in Space" and "Apart" at his studio, 2003

gallowhill:

Antony Gormley, sculptures from “Domains”, “Bodies in Space" and "Apart" at his studio, 2003

douchamp:

Josef Albers — Structural Constellations, 1958.

douchamp:

Josef Albers — Structural Constellations, 1958.

Duane Michals - Carry Me Daddy, 1989 (top); My Father Could Walk in the Sky, 1989 (bottom)

Text in the photographs:

Carry Me Daddy, 1989

Carry me daddy, all the way home. 
I’ll lean on your shoulder, even after I’ve grown. 
And when me get there, tuck me in bed. 
I’ll still be your son, even after you’re dead. 
While I am dreaming, sing me a tune. 
A song of my birthright, the sun and the moon.

My Father Could Walk in the Sky, 1989

My father could walk in the sky.
He promised to teach me how.
But he left without saying goodbye.
I don’t cry.
I’m a grown up now.

See more Duane Michals posts here.

cavetocanvas:

Joseph Beuys, How to Explain Pictures to a Dead Hare, 1965
One of the artist’s most famous performances, Beuys covered his head first with honey, and then with fifty dollars worth of gold leaf. He cradles a dead hare in his arms, and strapped an iron plate to the bottom of his right shoe. Viewed from behind glass in the gallery, the audience could see Beuys walking from drawing to drawing, quietly whispering in the dead rabbit’s ear. As he walked around the room, the silence was pierced by intermittent sound of his footsteps; the loud crack of the iron on the floor, and the soundless whisper of the sole of shoe. (via)

cavetocanvas:

Joseph Beuys, How to Explain Pictures to a Dead Hare, 1965

One of the artist’s most famous performances, Beuys covered his head first with honey, and then with fifty dollars worth of gold leaf. He cradles a dead hare in his arms, and strapped an iron plate to the bottom of his right shoe. Viewed from behind glass in the gallery, the audience could see Beuys walking from drawing to drawing, quietly whispering in the dead rabbit’s ear. As he walked around the room, the silence was pierced by intermittent sound of his footsteps; the loud crack of the iron on the floor, and the soundless whisper of the sole of shoe. (via)

Kazuo Ohno photographed by Eikoh Hosoe, 1994-1996

More related posts: Kazuo Ohno | Eikoh Hosoe

Sculptures by Reinoud Oudshoorn

Click on each image for details.

See more Reinoud Oudshoorn posts here.

chadwys:

Corpsica 6 (2013, collage on paper)Chad Wys (web/tumblr/fb/s6)

chadwys:

Corpsica 6 (2013, collage on paper)

Chad Wys (web/tumblr/fb/s6)

raveneuse:

Sun Yuan & Peng Yu

raveneuse:

Sun Yuan & Peng Yu

Robert and Shana ParkeHarrison - Gray Dawn

See more Robert and Shana ParkeHarrison posts here.

free-parking:

IRWIN, IRWIN Live, 1996/1998 exhibitions in Atlanta and Warsaw

IRWIN Live consists of paintings from the “Was ist Kunst” series installed on the ceiling with the Irwin members suspended below them so as to appear standing as spectators in front of their paintings.
After the opening the “live” members are replaced with replicas, wich remain in the gallery for the duration of the exhibition. (via)

gallowhill:

Hreinn Fridfinnsson - Attending, 1973

gallowhill:

Yves KleinAnthropométrie de l’époque bleue, 1960